Carleton University Art Gallery CUAG

Upcoming Exhibitions

In Dialogue

Curated by John G. Hampton

Co-presented with the Art Gallery of Southwestern Manitoba and Art Museum at the University of Toronto

14 May – 26 August 2018

Raymond Boisjoly, Raven Davis, David Garneau, Carola Grahn, Nicole Kelly Westman, Tanya Lukin-Linklater, Amy Malbeuf, Nadia Myre, Peter Morin, Native Art Department International (Maria Hupfield and Jason Lujan), Krista Belle Stewart In Dialogue is an exhibition structured as a conversation. It invites viewers into intimate discussions that work through new ways of understanding, and being Indigenous in contemporary contexts. Moving from spaces of contemplation and reception, to moments of excitement and animation, the artists blur borders drawn with invented notions of authenticity and guide us through negotiations between the specificity of personhood and its abstraction into larger groups of belonging. This gathering of work embraces the wildly individualistic tumble of connections and contradictions that constitute contemporary Indigenous identities, in open dialogue—between artists, audiences and the interconnected mesh-works woven between all our relations.

Alootook Ipellie: Walking Both Sides of an Invisible Border

Curated by Sandra Dyck, Heather Igloliorte, Christine Lalonde

17 September – 09 December 2018

Alootook Ipellie (1951-2007) was born in the camp of Nuvuqquq on Baffin Island and grew up in Iqaluit before moving to Ottawa as a young man. He started working as a translator, illustrator and reporter for Inuit Monthly (renamed Inuit Today) in the early 1970s, and later was its editor. Through his widely read poems, articles and essays, Ipellie gave voice to important cultural, political, and social issues affecting the North, with humour and immense patience. Ipellie was a prodigious artist, creating hundreds of political cartoons, serial comic strips including “Ice Box” and “Nuna and Vut,” and larger drawings, of which those published in his book Arctic Dreams and Nightmares (1993) are well known. This first retrospective of Alootook Ipellie’s extraordinary work will capture the many aspects of his career, demonstrating the importance and continued relevance of his voice and vision.